Friday, 11 August 2017


The Story of the Webb Family of Melton Mowbray


A time of Social growth

At the arrival of the 20th Century in England when the long Victorian era was ready to hand over to the rule of King Edward VII, the small market town of Melton Mowbray along with the rest of the wider country, was passing through a phase of social extremities in that increasing poverty and a lack of resources amongst the working classes was reaching disturbing proportions.  This state of affairs was especially serious in the newly industrialised and crowded conurbations of the larger cities to where a great number of agricultural workers had desperately transferred in search of paid work, but at the same time it is a contrary fact that the proliferation of a new professional and managerial class of people and a growth of the gentrified classes, was perversely creating an ever widening gap within the general population.  Melton Mowbray, unlike many other towns of its size was principally populated by the latter social group, due to a large extent to the great attractions of its fox-hunting and sporting facilities which had continued to provide pleasure and good social entertainment for the wealthy and the gentry in particular who remained strangers to poverty.  But this fact is not to suggest that the ‘proletariat’ were spared in any special way, as with the decrease of the sporting activity the double indignity of irregular and low wages combined with a daily struggle to co-exist and support their extended families which were forced to shelter in often squalid and cramped living conditions. This was a situation which was to reach a peak, not to be properly dealt with until the passing of the disruptive Great War of 1914-1918.

Surprisingly, despite the bleak paucity of available or affordable accommodation for the majority of the working classes, the building of new homes did progress steadily in the town and fronting the main approach roads, large and expensive mansions continued to appear on previously virgin tracts of agricultural land, these usually outside the town limits due to a lack of suitable space within.  Many of these new dwellings were built for the use of local business people and for the ‘immigrants’ increasingly arriving in the town to work. Many of these incomers would remain as residents and endeavour to improve and benefit the area over the ensuing years and their descendants are today accepted as welcome and settled Meltonians.  It is the story of one of these incoming families from over a century ago that is the subject of my special interest.

Much of the new building work was carried out on the [A606] Burton Road which takes travellers South to Oakham and beyond.  A general perusal of Census records of 1891, 1901 and 1911 clearly shows a steady increase of real estate in the area as available plots about the town were purchased to be converted into homes.  From a random page which lists just seven houses in the 1901 Census can be found two architects, a solicitor, two managers of local businesses and the general manager of the local spinning mill, all being people having originated from places other than Melton.  Of special personal interest to me is the entry for No. 60 Burton Road which lists the recent arrivals from Stamford in Lincolnshire as the family of Mr Morpeth Webb, then aged 38 and described as an architect/surveyor who was born in North London.  Amongst the children is listed his eldest daughter, Mahala Theodora Webb, born at Stamford and now aged 14 years.  It was this young lady, who insisted on being addressed as ‘Dora’, who was to grow up to become quite a celebrity in the important art circles of the wider world.  She worked from and spent the great part of her life in the lovely old house which remains in Burton Road today, but now bearing the door number 106. This then, is the story of the Webb family



Early Life in Stamford ...

Born in the heaving and congested streets of Shoreditch in mid -Victorian London in the summer of 1861, Morpeth Webb was one of eight siblings born of the marriage of baker, John Adams Webb and his wife, Harriet Bannister.  In around 1870 the family moved North to the Peterborough area more than likely for reasons of employment and a young Morpeth would there complete his formal schooling and later be trained as an architect/draughtsman.  Qualifying in 1883 he practiced initially in Grantham, Lincolnshire and in July 1885, he married local girl Florence Sophia, the middle of the three daughters of paperhanger Joseph Cousins and Eliza Elvin.  Within the following year the newly-weds moved on once more to nearby Stamford, an attractive town which once straddled the Great North Road in Lincolnshire, but today is circumnavigated by the A1 by-pass.  On the 6th May 1886, Morpeth and Florence produced their first child, a girl, whom they were to name Mahala Theodora. (said to be native North American for ‘woman’, this unusual name was also that of Florence’s older sister, Mahala Ellen Cousins.) These given names were more than likely not to have been encouraged for long though, as the soubriquet ‘Dora’ soon became accepted as the norm.  She was joined by her sister, Millicent Cecilia - better known later on as ‘Millie’ -  in 1887; some five years later in 1892, brother, John Adams Webb arrived to complete the family.

.. and to Melton Mowbray.

As the old market town of Melton Mowbray expanded with the inevitable growth of the general population and the human movement from agricultural pursuits to employment in the factories of the towns and cities, new residences were required, especially for the professional people such as Mr Morpeth Webb who could comfortably afford the great expense of being an owner.  He had recently gained employment as an administrator with Colonel Richard Dalgliesh who was establishing the recently opened iron-foundry at Asfordby Hill to the northeast of Melton which was to play an important part in the brisk growth and success of the new business which led to the gainful employment of many local people. For the purpose of being handy to his place of work he was to purchase the pretty little semi-detached house at No. 60 Burton Road, an area which is known locally as 'Burton Hill'.  It was around 1900 when he arrived in the town with his family to take up occupation of their new home and for him, to commence his lifetime's work alongside Colonel Dalgliesh.

(This type of house would probably have cost about £250 -£300 at that time!)

The Webb Family Home, pictured in 2017 (Google pics)

The Census for 1901 tells us that in April that year, No. 60 Burton Road was still occupied by all five of the Webb Family.  The three siblings were all of school age - under 14 - and mother Florence is shown at the age of 35 as a 'Teacher of painting school -artist.'  It is known that Florence had a small studio attached to the house, where,  alongside her marital and domestic duties she taught small classes of local people in the popular art of painting, she specialising in pottery, her favourite discipline.

By 1911, the census shows that the five members of the Webb family were still all resident at the house in Burton Road and that father Morpeth Webb continued to be employed as an architect and surveyor in his managerial rôle.  At the age of 48 he was by now a valuable member of Colonel Dalgliesh's management team at the Holwell ironworks and had assisted especially in the fruitful search for and extraction of iron ore from the local area, which initially had been transported into the works at great expense by train.  Florence, is no longer shown as a being a teacher but she was known to carry on her painting until the time of her death. In her later years, she was to become well known as an active woman in social matters locally and to work or the advancement of many good causes.  Of her children, Dora, now 24, is shown as an artist and miniature painter,  now with an added note to the effect of; on her own account, at home' and not suggesting that Dora was a small woman, she was by now in the business of producing the increasingly popular art form of miniatures, a path which was to lead her a comfortable and independent living, but of much more personal importance, she had acquired celebrity and a respected position in the international world of miniature painters with a membership of the R.S.M. 'Royal Society of Miniature Painters, Sculptors and Grazers'.  

Sister, 'Millie', one year younger, is not shown in the record to be employed, but it is known that although not as successful as Dora proved to be, she too would produce saleable art.  John Adams Webb, now at the age of 18, was studying to be a land surveyor as his father had done before him, but he wasn't to know just then that a terrible war in which he would become involved with his contemporaries, was just three years away.  Neither of the girls married during their lifetimes and at the age of 22, brother John was in fact, to serve in World War I, first as a private in the 5th London Regiment and later in the Machine Gun Corps Regiment. He came through the conflict apparently unscathed and was discharged with his medals on the 8th February 1919.  On his return to Leicestershire he married Amy, with whom he lived for the rest of his life in Leicester.  There is not much more of his biography to be discovered.

Florence, a Talented Mother

During King Edward's reign after six long decades of rule by his mother the Queen Victoria, the Webb family seem to have assimilated well into the active life at Melton, finding it, very different from their days in genteel Stamford which was once described by Sir Walter Scott as "The finest stone town in England".  This especially so in the Leicestershire town during the hunting season of winter when it seemed like the whole world would descend on the town to hunt, drink, feast and be merry. As the main breadwinner, Morpeth pursued his administrative duties at the Holwell iron works through the remainder of his working life.

For the first few years of the children's lives, Florence proved to be unlike many women of the time, tied to the stove and the nursery to await her husband's return each day.  As a competent and trained artist from her youth, she had moved on from painting to become specialised in the genre of pottery and even later in her life, to a novel concept of creating pottery dolls.  As a trained teacher of painting, she not only worked with small mixed classes at the family home, but returned frequently to Stamford school where she had retained a class of hopefuls.  She was to influence both of her daughters in the pastime of art, but it is known as to whether young John was to be drawn into the group, especially as this was a hobby then predominantly of the female persuasion.  Dora especially, was to be the first to inherit her mothers talent for colours and the depiction of objects about her and was quite young when she first took the notice of the public, as this piece from the Lincoln, Rutland & Stamford Mercury of Friday, 24th April 1896 explained to its readers:
EXHIBITION OF PICTURES.  -  A number of pictures painted by the Stamford pupils of Mrs. M. Webb, of Melton Mowbray, were Exhibited in the Albert-hall, Stamford, on Thursday afternoon last, and were inspected by a large number of people.  An interesting programme of music was rendered at intervals by the pupils and others, and afternoon tea (given by the class) was served, the rooms being nicely decorated.  Altogether about 80 pictures were shown, and they were highly creditable to both the students and their mistress, especially considering that the majority of the pupils had only two terms under Mrs. Webb. The chief interest centred in some pictures painted by Mrs. Webb herself, including four charming views and four exquisite miniatures.  She also displayed some woodcuts, in engraving in which she is an adept. ...  and Miss Dora Webb, aged nine, a view which she painted without aid.  As a whole the pictures were exceedingly good, some of them showing marked ability, and Mrs. Webb is to be highly congratulated on the success which has attended her class.
Early kudos indeed, especially at the time for Florence herself, for an exposure she most certainly would have appreciated, but the small reference to a nine years old Dora, was most probably a spur for mother and father to get her off to some proper training.  In the meantime, sister Millie was not to let all of the light shine on her older sibling as she continued with her own work.

Alyn Williams RSM (President)

With the spark of early interest shown in the nascent talent of young Dora Webb at the Stamford exhibition, there is little doubt that Florence would seek out the best chances for her young prodigy - if that is what she was going to be.  She could not have done much better therefore, than to attract the attention of one of the leading miniaturists of the day to her daughter's work and before she was much older, Dora was taking her tutelage at the knee of the master, Alyn Williams who was regarded as the leading light in England at the beginning of the 20th century.  Whether the moment or the circumstances of this meeting at Stamford were those of pure chance, or carefully pre-planned, is today open to speculation.  It is known that as an artist of some respect Florence Webb was acquainted socially with Mr Williams from the world of art in which she moved and the place of meeting on that important day was a relatively small exhibiton in Stamford.  Whatever the fruits of this meeting, a very young Dora was to receive tuition and guidance from a man who really knew his subject.  As for the man himself, in his younger days, in 1902, a critic from the Daily Sketch wrote of him;
" ... The great revival which has taken place in what was  until a few years ago the lost art of miniature painting is due mainly to the son of that distinguished scientist, the late Mr W Matthew Williams F.C.S., My Alyn Williams, the founder and president of the Royal Society of Miniature Painters.  He turned his attention to the art at an early stage, and after studying in London and abroad finished his academic work in the Academie Julien under Laurens and Benjamin Constant.  His first portrait, a beautiful miniature painting of Miss Yarrow, was exhibited at the Royal Academy in 1890, and since then his works have become familiar to visitors at the principal art galleries here and abroad.  Among Mr William's sitters have been King Edward and Queen Alexandra who each gave the artist a series of special sittings at Buckingham Palace."
together with a rather flowery critique of his work and style ...
'... he has a very sound understanding of what is essential in this delicate form of pictorial art, and combines cleverly in his work due respect for tradition with definite originality of method.  His touch is free and expressive, his drawing graceful and dainty, and his colour, always pleasantly harmonious, is at times remarkable for its strength and brilliancy.'

With the support of Williams and his connections within the world of miniatures, Dora went on to produce many more works of art, the majority of which were selected for public exhibition.  It is estimated that during her active life she was to produce more than 300 pieces of work which were exhibited exhibited in many major art venues around the world to much acclaim.  A quiet and polite young lady with few pretensions to greatness, Dora produced her works from her home and whilst never reaching the highest of high echelons, her creations were always considered desirable and new items were eagerly awaited to be despatched from her little home studio in Melton Mowbray and usually fetching high prices in a busy market.

Apart from reports of her exhibitions around the country and the showing of her work in foreign cities, little is heard of Dora or her family during the following two decades, which were of course to embrace the terrible war of 1914-18, but it is recorded that the Webb family took a very important part in the social life of their town.  This was especially so in the case of Millicent Webb who was to devote the whole of the war period to the voluntary nursing of the many soldiers recuperating the various battle fronts across France and Germany, who were now detained with varying degrees of shattered minds and disfigured bodies in the temporary military hospital at nearby Wicklow Lodge.  The Webb ladies were most likely attracted to this vital work in the knowledge that young sibling, John Adams Webb was manning a machine-gun in the killing fields of that awful passage of history.  More of Millie's story later.

A particularly impressive report on Dora's progress as a still aspiring artist was to appear in the Grantham Journal of 7th December 1907 which was headed;

Amongst the two hundred pictures exhibited in the old free library, Wellington Street, Leicester, by the Leicester Society of Artists, are two miniatures by Miss Doris Webb, of Melton Mowbray, deserving of special notice.

TO BE CONTINUED .............

Saturday, 3 June 2017


William Morris Colles M.A. D.D. (1819-1899)

The Revd. William Morris Colles M.A. (later to become a Doctor of Divinity - D.D.) succeeded Reverend Carr as Curate of St Mary’s Melton Mowbray in 1849 when he inherited sole charge of the living which was at the time sequestrated (i.e. not entitled to Church Revenues) as a result of the misdeeds of the then incumbent, but almost permanently absent, Reverend Robert Fleetwood Croughton, B.A..  As the young pretender to the occupation of the Vicarage, Rev. Colles valiantly held the fort until eventually, in 1867 and on the eventual death of Croughton, he was finally presented with the glittering prize of the Vicarage of Melton Mowbray after having been the Curate-in-waiting for some 18 long years.  William was an only son, born in May of 1819 at his family home of Wexford Castle in County Kildare, Ireland, the seat of his father, the late Lieutenant William Colles of Her Majesty’s 8th Regiment of Foot, possessor of considerable amounts of property and personal wealth. On the 5th December 1850 at St. Mark’s church in Marylebone, London, William was to marry Louisa Ann, eldest daughter of the late Rev. Henry Taylor, lately Rector of Stoke Rochford in Lincolnshire.  in 1874 he gained the designation of ‘Doctor of Divinity - DD’ a title by which he later became more familiarly known.

The good doctor’s overall tenure at Melton Mowbray - an historic market town noted for its hunting and fine foods which lies to the north east of Leicestershire in the East Midlands of England - was to extend for 40 long years, i.e. 1849-1889, a career which is today looked upon today as having been of overall benefit to the town and its parishioners.  Over such a long period of tenancy in overall charge, controversy was bound to arise from time to time , especially with the increasing arrival within his parish of non-believers, dissenters and nonconformists, but generally, the Curate who waited so many years to become vicar is widely and fondly remembered today far more for the many good things that he achieved for the town and the upkeep of his church, especially in relation to the maintenance and frequent renovation of the ancient church buildings and their environs, along with a dedicated interest in the education of the young and the general protection of his flock. Today his name is appropriately memorialised nearby with the continued existence of the Colles Hall in Burton Street - albeit now a modern pizza-parlour.              
A part of the Curate's biography which has not always been recalled in the conversations of politer circles relates to events of the year 1850, which is not only to be remembered exclusively as the year of his earthly marriage to Louisa, but also to the summer of that year when the young incumbent was to court much unwanted controversy.  Reportedly a little headstrong and occasionally outspoken in the earlier years of his new living, he was to provoke much serious public animus when, on the occasion of the passing of a well-known and loved local character against whom he seems to have adopted a certain hauteur, he steadfastly refused access to ‘his’ church of her unconsecrated remains. His alleged indiscreet and dismissive handling of a quite sensitive situation, was to create an indelicate incident which would anger not only his own local proletariat, but was to bring upon his head the censure of a national press, unwanted - some say unwarranted - exposure to the public gaze and a general discourse of religious morality within the country as a whole.  As short-lived as this controversy proved to be during those late summer months, perhaps in hindsight, a storm in a teacup, it is an engaging story which is perhaps well worth repeating.

A Corpse Awaits at the Church Gates

During the second week of the month of August in the long-ago Victorian summer of 1850, Elizabeth Wainer, reportedly a colourful and popular character and matriarch of an extended and infamous local family, died peacefully and apparently naturally, at her little home in Chapel Street, Melton Mowbray. A celebrated character of the working classes, ‘Old Betty’ is said to have paid scant attention to her religious and civic duties during her 60 plus years on earth and apparently instead had played out a dissipated and often drunken life amongst the men-folk and lower levels of the townspeople who dwelt mainly in the tight little alleyways and small rented houses close to mediaeval walls of the old town centre, earning a wage occasionally  in the employ of providing mainly menial services for the visiting gentry of the hunting fraternity. Matriarch Betty was, nevertheless, said to be dearly loved by her many family members and a large number of friends and colleagues who were liberally spread around the small population of about 3000 people then resident in the town. Unfortunately for the good Dr. Colles with only a short residence in the town thus far, his unhelpful and dismissive attitude both towards her actual death at this time, followed by the arrival of her body at the Church gates and finally, to her subsequent burial in consecrated ground, created his publicly reasoned objections to her admission to the house of God which he related to the grounds of her low social grouping and ‘risky’ reputation. His adamant refusal to accept the presence of her body within the bounds of the church building immediately engendered a great upheaval of public sympathy and general disapproval, not to mention a significant groundswell of general anger locally.  This unfortunate incident and its related discordance was not to escape the attention of a scandal-seeking local press and amidst the furore of the family and their allies, support for the actions of the Curate was to come initially in the guise of a small piece, tucked away on page 3 of the Leicestershire Mercury of Saturday, 17th August 1850:

DIED, on Saturday last, aged 66, Elizabeth Wainer, better known as “Old Betty,” who had been for half-a-century the keeper of a brothel in this town.  Great dissatisfaction was evinced by her relations and friends that the Rev. W. M. Coles, the curate, would not perform the burial-service over her body in the church, as the deceased had been duly baptised, (and, therefore, according to the Bishop of Exeter, “regenerated!”) christened, and confirmed, and had always paid church-rates.  Some few other parties, we find, think the rev. gentleman acted inconsistently, seeing that he did read the service at the grave-side, in doing which he spoke of the deceased’s hope of a joyful resurrection, and afterwards demanded the customary fees.  Now, we cannot coincide in this opinion.  Mr. Colles was not bound to admit the corpse into the church, while, we believe, he was bound to read the service at the grave-side:  as curate, he was also bound to ask for the fees - not for himself, but for the representatives of the non-resident vicar.  Nor can we join in blaming a clergyman because he hesitates in the performance of a solid mockery.  The less said on such an occasion the better.’

Fair comment perhaps, but being dismissive of the protests it was not to be not an opinion shared by another regional newspaper, a competitor, which was also to hit the news-stands that Saturday in August from the neighbouring county of Lincolnshire where ‘Correspondent‘ from the nearby Stamford Mercury, asserted to be ‘simply recording the facts as he was advised of them from a respectable source.’ He was to expound his alternative views beneath the one-line death announcement in the obituaries column, i.e.

‘At Melton Mowbray on the 11th, Mrs Eliz. Wainer, late Chapel Street.’

Refusing to Bury the Dead. – In our obituary of this day will be found a notice of the death of a noted character in Melton; and it proved to be an event when the domineering spirit of priestcraft had an opportunity of venting its full spleen, both before the spirit had gone to the God who gave it, and also when there was nothing left but an inanimate lump of clay.  We shall simply record the facts as we are advised of them from a respectable source, and then leave all Christian people to judge of them.  Mrs Wainer was a public character for many years in Melton, and pursued such a course of life as no man would vindicate; but as there are always two sides to a question, we may be permitted to add that, wherever disease or destitution made its appearance in her neighbourhood, her’s was the heart and the hand ever foremost to mitigate suffering.  She was taken dangerously ill on Friday last, and wished for someone to pray by her; and, at her own request, the Curate of the parish was sent for.  Upon his arrival, he commenced a tirade against her respecting her past life, and resolutely refused to comply with her wishes at all; and had it not been for the goods offices of some neighbours, she might have left this world without any spiritual consolation whatever.  However, on Sunday morning she died; and on Tuesday her children were startled with the information that the clergyman would refuse the body admittance into the church, and would also refuse to read that part of the service at all.  Great, therefore, was the general excitement when the corpse arrived at the church gates, and no minister made his appearance according to custom; and still greater when, for the first time within the memory of man, the church doors were found closed against the dead.  After the mourners had waited for a sufficient time, they retired again with the corpse, amidst vehement cries of “shame” from the people, to the new Church of England burial ground, where ready stood the Rev. Wm. Coles, [sic] and he commenced reading the funeral service in his canonical dress.  The relatives of the deceased, however, refused to listen to him, and after depositing the body in the ground, they left the clergyman continuing to read the usual service for the dead, over the body which he had refused to admit into the church.  The event has caused great excitement in the town, and is calculated to rend wider the division which, owing to such uncharitable courses, has for some time existed.’

‘He Needs Too Greatly to be Taught’

Whether or not the embattled Curate did actually read the offending and personal critique of his controversial actions in ‘The Mercury’ - which was the nearest local newspaper of the day - is not recorded and there is no reply to be found in later editions of that particular publication, but this was not to be the case with the Leicestershire paper however with whom Mr Colles was soon to be taking up his pen.  However, comment was soon to appear from a most unexpected source when The Times, the nation’s most read and respected - even revered - newspaper offered an even more vitriolic critique from the columns of its sister paper, The Examiner.  Without pulling any punches in an overt and vituperative attack on the Curate, he produced the following piece: 

                                 ‘SEEKING THE LOST.'
‘In the Lincoln, Rutland, and Stamford Mercury for the 16th August, we find this narrative.
    At Melton Mowbray, a Mrs Wainer, who had been compromised in character, but to the poor around her had been uniformly kind and liberal, was upon her death-bed; and the curate of the parish refused her own solicitation that he would come and pray with her. She died; and he refused admission of her body to the church, consenting only to so much of the burial service as was usually read upon the ground. The coffin and the mourners found the church doors closed. The people (the parishioners) yelled their disgust at this. The body was then carried to the cemetery, where the relatives and mourners left it; and the reverend gentleman performed as a soliloquy, so far as they were interested, what he considered to be the remainder of his duty.

We say nothing of shutting the church doors. The reverend gentleman might do with the body any unseemly things he pleased, or might think it decent to enact. But who is this, disguised among the ministers of Jesus, who dares refuse to pray beside a dying woman – because she was a sinner? Who is this? It is the Reverend William Coles, [sic] of Melton Mowbray.
The Pharisees, as Mr Coles might do, objected to Our Lord that he had too much care for sinners. Only the Pharisees could move Him to anger. Whether Mr Coles be a High Churchman, or a Low Churchman, we know not. But we know that he ought not to be teacher in the Church of Christ – he needs too greatly to be taught.’
Whenever and wherever it was that the Reverend Colles did subsequently read this damning public exposé of his worldly alleged ‘misdoings’, one can only imagine today the inner sense of outrage and despair which he must have endured on seeing such derogatory and embarrassing personal criticism, especially so in a national newspaper which was after all, far from a private circulation but one available and circulated for the whole world to read. But whatever the spur, his calculated response was a swift one as he once more wielded his pen as a sword to enter combat with the following response which was to appear in The Times dated Wednesday, 28th August 1850.’

     I have just seen a paragraph from the ‘Examiner’ in your paper this day, which states, that Mrs Wainer, of Melton Mowbray, “was upon her deathbed, and the curate of the parish refused at her own solicitation that he would come and pray with her.”  I beg to state that this is a malicious falsehood.  As you have thought fit to bring this matter before your readers, I may add that Mrs Wainer has kept a brothel in this town for almost half a century (as I am credibly informed).  She sent for me and I went to her house, accompanied by the Rev. G.B. Hill, assistant curate of Melton: I preached the Gospel to her, prayed for her and exhorted her in the kindest manner to repent of her sins, and look to the Saviour.  I can prove this.  The Examiner represents me as a Pharisee, says, “Probably he preaches Phillpotts,” and adds, “We know that he ought not to be a teacher in the church of Christ, he needs too greatly to be taught.”
     I approve of the liberty of the press, as a safeguard for the liberty of the people, but I regret that your paper should be made the medium of circulating a false and malicious libel, followed by scoffing insinuations and assertions, under the semblance of zeal for the truth.
   It is true that the body of Mrs Wainer was not brought into the church.  She seldom darkened the church doors whilst living, and was not permitted to defile them when dead.  With reference to the yells of the parishioners, the Examiner states, “the people yelled their disgust at this.”  I defy the writer to produce a single respectable inhabitant of Melton Mowbray who joined in such yells, or sympathised with the mob.  I read the service as required by the law (which the Examiner describes as a “soliloquy,” notwithstanding the number of persons assembled on the occasion); and, with reference to my preaching, I teach in the church of Christ according to the ability which God has given to me.
    Hoping that you will insert this contradiction of the false statements which have appeared in your paper,
I am Sir, your obedient servant,

W.M. COLLES, Curate of Melton Mowbray.

The Vicarage, Melton Mowbray, Aug. 26.

The following week, The Examiner duly replied by return with the following:

‘The Times publishes a letter from the Reverend Mr Colles, the curate of Melton Mowbray, denying the material part of the charge which the Lincoln and Stamford Mercury had made against him, and which was copied into last weeks Examiner with a comment which the case quite justified.
   “She sent for me and I went to her house, accompanied by the Rev. G.B. Hill, assistant-curate of Melton; I preached the Gospel to her, prayed for her, and exhorted her in the kindest manner to repent of her sins, and look to the Saviour. I can prove this. The Examiner represents me as a Pharisee, says, “Probably he preaches Phillpots,” and adds, “we know that he ought not to be a teacher in the church of Christ, he needs too, greatly to be taught.”   I approve of the liberty of the press, as a safeguard for the liberty of the people, but I regret that your paper should be made the medium of circulating a false and malicious libel, followed by scoffing insinuations and assertions, under the semblance of zeal for the truth.   It is true that the body of Mrs Wainer was not brought into the church. She seldom darkened the church doors whilst living, and was not permitted to defile them when dead. With reference to the yells of the parishioners, the ‘Examiner’ states, “the people yelled their disgust at this.” I defy the writer to produce a single respectable inhabitant of Melton Mowbray who joined in such yells, or sympathised with the mob. I read the service as required by the law (Which the Examiner describes as a “soliloquy,” notwithstanding the number of persons assembled on the occasion); and, with reference to my preaching, I teach in the church of Christ according to the ability which God has given to me.”
On reflection Mr Colles will doubtless transfer his answer to the journal which originated the charge against him. Meanwhile we are glad to find, by this letter, that the worse half of the case, and the only part on which we commented, can be denied distinctly. The denial is quite satisfactory. We cheerfully retract our comment.
Our readers will remember that we did not found our observation on that part of the case which Mr Colles recognises as correct – the shutting of the church doors upon the body, and the yelling of a mob in consequence. We did not, and we do not, comment upon this; because it has now, we regret to say, become so much a common practice, that it would not be fair, for this alone, to hold up individuals for censure.  If malicious falsehood prompted the original mis-statement, Mr Colles may rather thank us, than be angry with us, as the means of bringing it into the light. We may note that in condensing our report of the case we did not state, as Mr Colles seems to think, that so much burial service as he gave was an absolute soliloquy. We said it was so, in as far as the relatives and mourners were concerned; they being stated to have left the ground, refusing to be present at it. Mr Colles was too angry very clearly to understand what he read. We wish, for his own sake, that his reply had been written temperately; but in temper in such a matter we are far from desiring to make unkind comment. The accusation made against Mr Colles justified a momentary anger, and required an instant refutation.’

At this point it seemed that, according to my research, the matter had reached its conclusion; but it was not to be as battle was to be rejoined with a defensive gesture against the ‘impertinent’ instigators of this personal printed and public defamation against a respected member of the church and for this purpose a gathering of many of his most loyal ‘soldiers’ was held in the town. In the Leicestershire Mercury of 7th September 1950, the following appeared:

PUBLIC MEETING. - On Thursday evening, the 29th ult., a meeting of the inhabitants was held in the Church School-room, “to consider what steps should be taken in reference to the unwarrantable and false attack made in the Stamford Mercury upon the Rev. W. M. Colles, Curate of the Parish.”  The attack alluded to appeared in the Stamford Mercury of the 16th Ult., and falsely charged the rev. gentleman with refusing the request of an aged female of notorious character to pray with her on her death-bed.  The assistant-Curate, who accompanied him to her bedside, attested that her wishes were both kindly and fervently complied with.  The Times and Examiner have also taken up and more widely propagated the calumnious falsehood, - making its complete refutation still more needful.  At this meeting the speakers strongly condemned the conduct of the Stamford Mercury’s editor for putting forth this and many other falsehoods about our church, our ministers and our schools, which have latterly found a ready place in its columns.  It was decided not to seek redress for this last gross calumny in a court of law, but to undeceive the public respecting it by means of an address to the Rev. W. M. Colles, to be signed by the inhabitants and inserted in the Times as well as the local newspapers, including the Stamford Mercury, and also to circulate it by handbills in the town and neighbourhood. A subscription to defray the consequent expenses was at once entered into by the meeting, which was most numerously and respectably attended.  The address, with its numerous signatures, will be found among our advertisements.
     The Examiner of last Saturday, refers to the letter sent by Mr Colles to the Times, in refutation of the charge referred against him by the correspondent of the Stamford Mercury, and copied into the Examiner with a “comment which the case quite justified.”  Surely there are two very material words omitted from this sentence? it should read,  “the case, as stated,” etc.  The editor adds, after quoting the essential portion of Mr Colles’ letter, “On reflection, Mr Colles will doubtless transfer his anger to the journal which originated the charge against him.  Meanwhile we are glad to find, by this letter, that the worst half of the case, and the only part on which we commented, can be denied distinctly.  The denial is quite satisfactory.  We cheerfully retract our comment.  Our readers will remember that we d id not found our observation on that part of the case which Mr Colles recognises as correct - the shutting of the church doors upon the body, and the yelling of a mob in consequence.  We did not know, and we do not comment on this; because it has now, we regret to say, become so much a common practice, that it would not be fair, for this alone, to hold up individuals for censure.  If malicious falsehood prompted the original mis-statement, Mr Colles may rather thank us, than be angry with us, as the means of bringing it into the light.”  So far well.  We hope the matter will now be suffered to drop.  Mr Colles was justly accused and condemned;  he has cleared himself by a simple recital of facts - his fellow townsmen have affirmed his honourable acquittal in the most gratifying manner.  (Editor L. M.) 
     So the editor of the Leicestershire paper seems to have weaselled his way out of the messy dispute with a form of apology - a little too oily in my opinion - but the curate’s approach of asking his parishioners for support this ‘acquittal’  in the form of a local referendum, paid for by the congregation, supported and signed in the form of a letter by at least one hundred names, he set about his demand for an apology by way of publicly advertising his anger at the allegations made.  He was even to charge the sum of 6 pence for a printed copy of the letter, but it seems to have been a resounding success and this appeal won the day when an extensive and scathing letter was passed to the Editor of the Stamford Mercury by church members expressing their views.  In the end, the very public matter was to eventually pass into the oblivion of the annals of time and William Morris Colles was to move onwards and upwards, to finally become the parish vicar and later, a Doctor of Divinity, whilst continuing to pursue his personal quest to improve the fabric of his place of work and to raise his own young family in the Parish, along with supporting the people of his flock.

Four Decades of Service and Dedication to the Parish

With the very public account in the Examiner, which seems to have drawn back on some of its initial, harsher criticism of Revd. Colles, a bottom line seemed to have been drawn under the Elizabeth ‘Betty’ Wainer affair, an unfortunate episode now seemingly forgotten and lost in the mists of time. There was indeed much more important work to be undertaken in a parish which to a great extent had become sorely neglected due to the prolonged absence and apparent disinterest of the incumbent Revd. Robert Croughton.  The foregoing events - which today might seem to have been perhaps just a storm in a tea cup - appear to have caused little detriment to his professional and personal standing.  He was to move forward with his head held high and to complete in all a grand total of 40 years distinguished service in all of which he displayed a genuine devotion to his chosen work. In total, he was to marry 644 hopeful young couples and to baptise some 2064 members of his flock across those years and these would include his own special contribution of three surviving children who were all born in the town; along with his son Morris, were included his two daughters Louisa Maria Ursula, who died at the age of 23 years in 1875 and Charlotte Ellen who would later assist her father with church matters, including dealing with much of the Parish’s administrative affairs during her father’s lifetime and incumbency as Vicar up to the time of his death. Charlotte died at Ealing in London in 1929 at the age of 75.

The Passing.

During his time in the market town of Melton Mowbray, Doctor Colles would frequently raise large amounts of money from his parish, often with more than generous donations from his own pocket and family purse for restoration work to the church superstructure and other grand related causes. It is known that the church was improved and renovated more during his living than at any other period. Significantly, he was a prime mover in the acquisition of many of the magnificent stained glass memorial windows which are still so impressive and regularly admired in St Mary’s church today.  Sadly, like all good things that pass before us, his sojourn in our earthly midst was inevitably to come to an end; even the wonderful William Morris Colles was not to prove himself immortal! He was to outlive his beloved wife Louisa by six years, who passed away in the spring of 1884.

Afflicted by his own ever-increasing and unremitting ill-health over a period of several months, he finally succumbed to the debilitating disease of Nephritis - a severe and painful inflammation of the kidneys. He was to pass through from his mortal existence quietly in his Burton Street vicarage during the afternoon of Friday 1st February 1888 and was to be finally delivered up to the arms of his Lord just three months short of his 70th birthday, this being some 40 years after his arrival in the small town which he came to love and adopt as his very own.

In the manner of an epitaph and thus far, still standing as an established commemoration of Doctor Colles’ 40 years dedicated service to the town, a building was constructed on land opposite the Church.  The Colles Hall in Burton Street, or to give it its formal designation, The Colles Hall Memorial Institute, was officially opened on Thursday 30th October 1890 by the Lord Bishop of Peterborough. Funded by public subscription in the Reverends’s name and memory, it raised initially £1068, leaving a debt of some £600 to defray the total cost, of which amount the Bishop said, “… there was such a good feeling in the parish which would not allow the remaining sum that was required, to be long unpaid.”  The Hall stands adjacent to what was once the Vicarage -now known to local people as the Blakeney Institute - in which the Colles family would have once lived. I have wondered if our subject would be amused if he were to return to the town some time soon to discover that the Hall which carries his name had by now been transformed into a popular pizza parlour. I might opine that by now having discovered something of the persona of the man, I have a sneaky feeling that he is in fact still looking down on the old town and is probably well aware of the situation.  In the context of life in the 21st century, he would perhaps grudgingly concede the situation as inevitable; some would say as inevitable as the removal of the carved hand pointing heavenwards which once adorned a small memorial stone located in the east precincts of the church of which he was once the vicar and which bears these few words:

‘William Morris Colles, M.A., D.D., rest in peace.’

(I have since been anonymously assured that the 'hand' was not in fact stolen, but lies stored safely today, within the church.)

There is a lot more to be told of within the seven decades of the useful and constructive life undertaken by the young man from Ireland who came to live amongst the people of Melton Mowbray in Victorian times, but having recollected merely a particular moment in his younger life, I will leave it here.

Reverend William Morris Colles M.A. D.D. 1819-1899.  R.I.P.



William Morris Colles (1855-1926) 

William was William and Louisa’s only son and it follows perhaps that the young man might well have taken his father’s full name at birth, though later in his life he was to be known generally as ‘Morris'.  Leaving home at quite a young age to seek a future elsewhere in the world, I doubt that his parents would have ever dared to guess along what path his future life might travel.  After reading law at Oxford and spending a short time as a trained Barrister, his attention and future life was to lie in the field of literacy and other arts.  He married in 1880, Fanny Elizabeth Bird.

© John McQuaid 2013

Wednesday, 17 May 2017


Early Days.

With its many interesting associations with the Melton Hunt,‘The Elms’ - formerly known as ‘The House’ and which once stood on the South side of Sherrard street - was really more of mansion proportions and for many years was one the most important buildings in the market town.  From its very earliest times it became the property of an outsider, being occupied by two Lambton brothers, William Henry and Ralph John, whose father, John Lambton, had been an early disciple of Hugo Meynell and with him, one of the original motivators of the nascent hunting phenomenon which was rapidly developing in this area. The Lambton Estates in Durham, Northumberland with their rich coalfields had made this family extremely wealthy and these two sons had inherited well from their father’s efforts.  As a keen sportsman, the large house was a magnet for the wealthy and high-society figures of the sporting world.  Its rear entrance of grand stone pillars faced north onto Sherrard street as if turning its back on the passing traffic of the day, but the attractive front aspect which faced into the sun of the south, overlooked a great blend of immaculate lawns, high flowing water fountains, carefully tended and colourful flower gardens, all of which extended to where Mill Street lies today. 

The House.

Norman House

It was in 1793 that timber merchant Richard Norman, who was then also the estate agent to the fourth Duke of Belvoir, acquired ownership of ‘The House’ and within this period of their tenure they renamed it ‘Norman House’.  After the death of his first wife, Richard married a second time into a much higher echelon of society than his own, when through his close business connections with the Duke he was to marry his eldest daughter, Lady Elizabeth Isabella Manners. The word was apparently quickly and widely spread that her mother, the dowager Duchess, was not at all enamoured of this “mixed’ union of her daughter and a ‘working man’.  Desirous of keeping tags on the couple, Lady Elizabeth is said to have purchased a house in Sherrard Street known as ‘The Poplars’ - which still stands today, fronted by a butcher’s shop - from where she is said to have paid regular and personal attention to her offspring.  Today, the story is still told locally of the quite regular visits of the Dowager-Duchess to her daughter’s house - which was just 20 metres distant across the main road - when she would take a hansom cab to turn left from her drive into Sherrard Street, then to travel some 20 metres along the road to where the Sage Cross once stood in the centre of the highway.  On  Circumnavigating the Cross she would retrace her route to park at the rear entrance of her daughters residence where her liveried entourage would ensure that she was safely embussed and properly ensconced with Elizabeth for her maternal visit.  Richard Norman died in 1847 and Elizabeth lived on for a further six years.

The Elms

After the passing of the Norman family,‘The House’ was sold on to Mr C H Frewen of Cold Overton Hall, Nr to Langham and at this time the Reverend C A Holmes maintained a large boarding school on the premises for at least six years after which time it was let to various visiting members of the hunt who arrived each year for the winter season of hunting the fox.  It next became the official residence of Mr Thomas Frewen and family, who was at that time patron of the Melton Living.  Once more, early in the 1870’s the property was sold on a more permanent basis to Lieutenant Colonel William Thomas Markham who settled in seriously and over time renovated and upgraded the ageing building in order to suit his very large family.  Known for his great love of horses and hunting, he erected brand new stables for his large string of top-grade hunters, which were professed to be better fitted out than the average hotel of the time.  In 1877, their second daughter, Miss Cecile, married Mr Cecil Samuda in a very grand high-society ceremony at Melton Church on the 12th December.  The event attracted many hundreds of people including members of the local Hunts who all attended in scarlet.  As part of the nuptials a meet of the Belvoir hunt took place in the paddock adjoining the house at which the Duke of Rutland was present.  The Colonel’s eldest daughter married the Earl of Annesley from this house and before long, in the 1890’s, his two remaining daughters were married to Mr Archibald Smith and the late Hon. Gerald Walsh respectively. It was during the time that the Markhams were resident, that the name of the house was changed once again; this time to become known as ‘The Elms’.   The beneficent and widely respected and loved Mrs Markham died at ‘The Elms’ on July 20th 1880 after a brief illness, her loss being keenly felt in the town and especially by the local poor people to whom she had directed many years of genuine altruistic attention and assistance at times of need.  A permanent memorial consisting of three stained-glass windows was placed to her memory in the chancel of St Mary’s church at a cost of £210 - a grand amount - which was all raised by public subscription. After her death ‘The Elms’ stood virtually unused for long periods of time apart from being rented out in the season as a hunting lodge to various wealthy members of the hunting fraternity.  

And Finally, the Powells’.

Following the deaths of both Colonel Markham and his eldest son and heir, the house was sold once more to local surgeon Colonel Lionel L Powell who had previously spent his bachelor days in and practised medicine at, Framland House in Burton End.  This move followed his marriage to Jessie Kate, the only daughter of local brewer, William Adcock, then resident at North Lodge in Bentley Street.  Their only child, Philip Lionel William Powell, born at ‘The Elms’ in 1882, went on to serve a commendable military career, even though ill-health would truncate his promising promotion path early.  Spending more time in London, he married in 1904, Maud Mary Wells-Dymoke of Grebby Hall, Lincolnshire, daughter and eventual heir of Edward Lionel Wells-Dymoke.  Their only son, Anthony Powell was born in 1905 and spent only his first five or six years in Melton Mowbray at The Elms before the family moved permanently to Wandsworth in London.  Later in his life Anthony was to achieve literary fame as a celebrated novelist of world-wide repute in the 1950s, with the great success of his collection, Dance to the Music of Time.  
Philip Powell
Returning to the death of Colonel Lionel Powell in 1912 at the age of 64, it should be told that he was regarded as one of the most popular personalities about Town in his day, due mainly to his regular occupation as a popular and loved doctor/ surgeon which skills he shared with a dedicated and loyal service to the town and his County of Leicestershire as Colonel of the local Militia.  He was also able to fit in much civil and community work related to the Courts and the local Boards. He died at ‘The Elms’ on June 29th, 1912, a moment which was properly and popularly honoured by a full dress military funeral procession which was witnessed by  most of the residents of his adopted town: His wife Jessie Kate remained resident at the old house until her own death there at the age of 70 in 1929.

Depression and Demolition 

The 1930’s, not only in Britain, but across Europe as a whole, came to be remembered as a significant period of increasing and debilitating depression, with the loss of productivity and industry creating almost a decade of austerity from which Melton Mowbray was not to be fully spared.  A steady dwindling of wealthy visitors in the hunting seasons and a related lack of well paid work locally, served to seriously affect the day-to-day life of the town.  People today lament the passing demolition and general destruction or neglect of many of remaining historic buildings in the town, a trend which they feel is unnecessary and ever the fault of the local Councils, but it is a fact that this situation was occurring almost a century ago, when, like today, the Council are deemed responsible but pretty well hands-tied as to what they could do usefully to save the situation.  In fact, as history shows us, it would again take another World War and two or more decades to return to some form of normality.

Following the passing of the Powell family in 1930, their lovely old house  was to stand sadly alone, unoccupied, seemingly unwanted and abandoned to the vagaries of the weather and passing vandalism.  With potential owners shy to buy or even to lease such properties in the prevailing depression.  Following this trend, the same dispiriting circumstances were to be true of other large houses in the town such as ‘North Lodge’ at the top of Bentley street, once owned by Mr Adcock of the nearby brewery or another of the prime residences of the day, the long-established hunting lodge known as ‘The Limes’ in Sherrard Street, which was owned by Mr Adcock’s former business partner James Pacey.  The increasingly punishing cost of general upkeep and the impracticality of perhaps, potential buyers ‘waiting for better times’, foresaw the inevitable demolition of ‘The Elms’ in 1936.  The site would stand abandoned and unkempt for at least two decades throughout the years of the second World War, until in 1953 when the General Post Office were somehow granted permission for the erection of a new telephone exchange (a hideous 1960’s blimp which today is rapidly approaching its own demise) which at least attempted to cover the eyesore, but added little to the character or ambience of the ancient town.  The building was later fronted by four equally ugly modern shops which were to face Sherrard Street.


Post Note:


In mentioning above the residence known as The Poplars in Sherrard Street which stands opposite The Elms, the exciting discovery of a long lost photograph of the dwelling by a colleague, serves dramatically to illustrate the metamorphis of some buildings which were altered to fit their required purpose.  This has been a common practice down the years, especially in this example, as the street in question was once lined with dwellings which were interspersed with the occasional shop.  As an amazing example of this action, I produce a photograph of the old house from around 1890, to stand alongside a modern day depiction of the same property of more than a century later.  I leave the reader to be astonished as to how the scene can change.

A Beautiful Georgian Residence - The Poplars, Sherrard Street, Circa 1890.

Mutilated in the 1920's, The Poplars is now shorn of its chimneys and hidden behind shops. (Google pics.)

Sunday, 26 February 2017




By the early 1890's, the Johnson family were out of Framland House and out of Melton Mowbray. Annie Johnson, by now leading the life of a reasonably young and clearly wealthy widow annuitant, seemed to have had her future secured with an impressive pension.  Preferring life in the capital city she was soon to be ensconced in the sumptuous comfort and prestige of one of the best of London's leafy suburbs, where she would complete the raising of her children and ensuring that her only son Henry did not forgo his architectural studies.  She would also outlive her ancestors by reaching the grand age of 90 years before her eventual passing in Hampstead in December, 1923. But what of the old family home with its 11 bedrooms, stables and large garden standing in the grounds of the railway station at Melton Mowbray? It might have been a snip at around £500 when she left and in fact was valued at some £800 when it failed to meet its reserve in 1911. In truth, although never seriously regarded as a noted hunting-box in the town, the house was occupied occasionally by winter visitors who welcomed the availability of the attached stables and its proximity with the ambience of the town centre and its attractions.  At around the same time as the widow Mrs Johnson moved away from the town with her family, a new doctor who had recently arrived in Melton had quietly eased in to cramped premises in the High Street, ostensibly to ‘practice his profession for a couple of days a week and to maybe do a little hunting on the side;’ at the age of just 24 years, he arrived as a newly-qualified member of the Royal College Of Surgeons. Dr Lionel Powell, of Welsh origin but born in the Channel Island of Jersey would be around as an important resident for a few years to come. 

With no direct family connections remaining in the town today, the Powells - they like it pronounced 'Poel' as in 'Noel' - originated way back in the 5th or 6th century in the Radnor/Hereford area of the Welsh Borders.  The name of Powell is said to derive from the name Hoel or Howell but for brevity we need not look further back than the arrival of Philip Lewis Powell (1805-1856) to bring us into the 19th century as one of seven children of a father of the same name, born in 1775 and his mother, Elizabeth (Turner), daughter of a wealthy banker who on the occasion of her own father's death is said to have managed to stave off bankruptcy within her own family. Moving about the country frequently the family was to spend many years in Norfolk, but Philip was to eventually return 'home' to end his days back in Milford Haven.  Five of the children were males of whom three entered the service of the East India Company, with the younger Philip himself serving as a naval officer and reaching the high rank of Commander.  In 1840 as a young 35 year old, he retired altogether from military life claiming ill-health and it was around this period that he was to marry Eliza Sophia Galliers - also of Welsh origin - and the couple would re-locate to the small island of Jersey in the English Channel.

Lionel Lewis Powell.

    The 1851 census for the States of Jersey, just off the coast of France records that in that year, at Magnolia Cottage in the parish of St Lawrence,  a 44 years old Philip Lewis Powell, 'retired commander,' was resident with his wife, Eliza L Powell, 32 yrs. It includes one son, 3 yrs old Lionel L. Powell, born within the Island and a housemaid cum general nurse, Mary Ann,  making up a cosy quartet.  Not a lot is known of the attraction for them of the small Island of Jersey or of the goings-on of their social life there, but the early and not unexpected death of Philip in 1856 destined that the stay would not be permanent.  In his biography, 'Anthony Powell - a Life,' (Duckworth Overlook 2004), author Michael Barber suggests an air of mystery when writing of this first-born and only child, Philip;
'... For instance his obituary in the Melton Mowbray Mercury states that following the death of his father he spent several years in Italy with his mother. Yet the same year his father died, 1856, he was enrolled as a day boy at Berkhampstead Grammar School.  Why Berkhampstead? Possibly because of John Dupré, a Jersey man who was headmaster of the school from 1790 to 1805, during which time it became customary for the Jersey gentry to send their sons there." 
    There is indeed a dearth of information as to those school and early learning years but it seems that as a grieving widow Eliza Powell was a transient soul and soon after the precipitous death of her husband she had placed the small island behind her and taken young Lionel off to Edinburgh where he attended briefly at the Edinburgh Academy until 1862. The census of 1861 actually shows Lionel, now 13 years old, with his mother, resident at No. 31 Dorset Place, Marylebone and there later followed a period in Italy where Eliza's sister was living with her English Officer husband, then serving with the Bourbon Army. Probably as a result of his travels about Europe, Philip Powell was considered to have acquired a good knowledge of  languages and it was also suggested that he sustained an overriding ambition to lead a military life, but it was a desire more than likely to have been squashed or suppressed by a most unenthusiastic mother. Or as Michael Barber proposes,
'...perhaps there wasn't the money to purchase a suitable commission in a decent regiment and either way, Lionel had to settle for thirty years of part time soldiering with the local [Melton Mowbray] Volunteers, whose honorary Colonel he eventually became.'
    We know not what influences might have led the young and obviously bright Lionel Powell to chose the profession of medicine as a future career over the choice of a military life, but on the 16th May 1871 having successfully negotiated his degree in medicine at Edinburgh, he was admitted to the Royal College of Surgeons as LRCP and LM: two days later he became a Licentiate of the Society of Apothecaries. We also have few clues as to his decision to carry on his life's chosen work in the small market town of Melton Mowbray - famous mainly for its fox-hunting, pork-pies and stilton cheese - but far away in the wilds of the English East Midlands and some 100 miles or more from the country's capital city.  But arrive he did and within a very short passage of time and at the age of just 23 years, he was to be found as a lodger at the Wilton Terrace home of auctioneer Joseph Miles and his wife Harriet.  From here he would soon join up with two well established and respected local surgeons, the Messrs. Roberts and Whitchurch.  He would soon after this, set up business on his own account as 'Powell and McCraith, Surgeons' with his good friend and medical partner, Jeremiah McCraith, which business and offices would be established at rented premises in the ground floor of No. 1 Burton Street, better known as Framland House, by now vacated by the Johnson family. 

She was only the Brewer's Daughter. 

    Life in Melton Mowbray seems to have proved to be just what the young Doctor Powell might have envisioned when he initially planned a future in the vibrant market town, as Michael Barber writes:
'It was a happy choice. When not hunting himself, which he did three days a week in the season, he was profiting by its consequences. The rest of his spare time was devoted to the Leicestershire Volunteers. Although not without charm, Lionel Powell was evidently someone who had to be taken on his own terms, which included the taste for practical joking. His party piece when out for a stroll with a companion was to trip them up with his walking stick and catch them before they hit the ground, a feat that must have required split-second timing and a degree of forbearance on the part of his victim.'
    On the 25th August 1873, Lionel Lewis Powell was Gazetted as an Ensign of the 3rd Leicestershire or Melton Mowbray Company of Rifle Volunteers, being vice to William Adcock, Esq., now Lieutenant.' Thus he had embarked on what was to be a long period of military service along with his civic responsibilities as a doctor and later on, as politician, coroner, magistrate et al.  This military and close social relationship with the extremely successful local brewer and maltster, Lieutenant Adcock - soon to be Captain - was destined to find him becoming his son-in-law when, on the 2nd June 1878 at the church of the All Souls in Langham Square, Marylebone, Lionel Powell at the age of 29 took 18years old Jessie Katherine Adcock to be his wife.  Because of her young age, a special licence was acquired which was apparently readily arranged by the bride's father. Of this marriage, Michael Barber observes that financially, it made sense ...
' ... on the death of her father in 1890 Jessie inherited £16,000, worth over a million in todays money, some of which may have been used to buy The Elms, the large and gloomy house Anthony Powell remembered as a small boy.  But in other respects there was a price to pay.  Because of her father's humble origins Jessie was not received everywhere in the country.  Furthermore her character was remarkably different from her husbands. He was a hearty extrovert, happiest in the saddle or, latterly, at the wheel of Melton Mowbray's first car. She, by contrast, was lazy and imperious, reclining on the sofa all day with a risqué novel, but quick to impose her will on anyone within range.  She was also a bit of a sorceress, skilled, like Mrs Erdleigh at reading the cards, and reputed to discomfort her enemies by means of spells.'

The Adcock Family.

     Significantly successful in his many and various businesses, Jessie's father was also to share his time with a devoted attention to local civic and political affairs, along with his elevated position in Queen Victoria's Volunteers. His family had been established in the town at least back in the 18th century when a William Adcock was born on December 26, 1774.  He was to marry Catherine Abbot who bore him three children between 1799 and 1802 and notwithstanding her sudden and early death, he next married Elizabeth Pickard with whom he had a further nine children over the following nineteen years between 1804 and 1823.  His last born son, namesake William, was born in June 1821 whist the family was living in the nearby village of Whissendine which lies just over the county border in the 'smallest' English county of Rutland.  In 1857 at the perhaps mature age of 36 years, William married Elizabeth Clark of Spalding in Lincolnshire.  It was said about town that at the age of 36 he seems to have been too busy for matrimony, as from quite a young age he would pass all his waking hours setting himself up as a maltster in the general business of brewing and later, he would include the wholesale trading of cheeses as a sideline.  Steadily and successfully he built up a small retail 'empire' of beers, wines and spirits outlets to sell his produce and trading his cheese in the public market place.  His original business was located in the north side of Melton in Bentley Street and known as the 'Egerton Brewery'.  In a short space of time, many people in the trade both locally and across the East Midland counties, became customers to whom he supplied his wares and increasingly he came to own outright, many of the existing licensed premises and even the small beer houses around, with the result that a lucrative monopoly became his own.  It was these substantial profits which he would re-invest in purchasing whatever public-houses and food businesses might happen to arrive on the market and which were subsequently to number many.  William was also well known and highly respected as a dealer in cheese and was an ever present buyer and seller at the local markets held in the open air in the Market Place, near to which he maintained a small office and store in the inn which is known today as 'The Grapes' and then by its popular name, 'the corner cupboard'.
  Along with this very hectic working life as brewer, accomplished rifleman, civil servant et al, he was considered a most important and respected senior officer of his beloved Melton Volunteers regiment, attaining the rank of Captain shortly before his retirement but William Adcock was to die on Sunday, December 21st, 1890 just one year short of his 70th birthday.  Interestingly, I have discovered that another novel string to his busy bow, was his keen involvement in the very new art of photography, still a very novel art-form of the time at which he seems to have excelled.  Archived documents and year books of the Royal Photographic Society, now held at Leicestershire Records Office, carry confirmation of his many entries, some of which being landscapes and still-life entries of creditable quality, are displayed as being prize-winning efforts submitted prior to the end of the 19th century.  I do I feel justified here in sharing part of a lengthy address to Captain Adcock which was published in the town newspaper of this popular personality.

(From the Melton Times, Friday December 26th, 1890)


   It is employing no mere figure of speech when we say that the news of the death of Captain Adcock, which became known on Sunday morning, has cast a gloom over the town, and will, we feel sure, bring sorrow to many a home other than those more intimately connected with the deceased.  Captain Adcock was so well known in consequence of his connection with artistic, scientific and literary societies, and the prominent part he took in every local philanthropic movement, that his death must be regarded as an event of more than ordinary importance, removing as it does, from our midst, a personage who has, for some years, exercised a potent influence in the town and neighbourhood.
    The deceased gentleman was a native of Melton, having been born in the year 1821.  He was in his early youth a stationer, having been apprenticed to the late Mr. John Towne, with whom he formed a friendship which was destined to be life-long in its duration.  He afterwards engaged in various mercantile pursuits, and was the founder of the now well known Egerton Brewery, so successfully carried on under the name of Adcock, Pacey and Co..  He rapidly rose, by his talents and energy, to a foremost position in the town, which he retained to to the time of his death.
    In politics, Captain Adcock was what may be termed a liberal conservative, and took an active part in the organisation of the party.  He joined one of a company of eleven gentlemen who waited as a deputation upon the present Duke of Rutland, then Lord John Manners, to request him to allow himself to be put to nomination to fill the post of member for North Leicestershire, an incident to which he often referred.  The last occasion on which the deceased took an active part in Parliamentary contests, was the occasion of the first return of the late General Burnaby, when, in conjunction with Mr James Morley, he was indefatigable in successfully canvassing the electors of the neighbourhood.
    Captain Adcock took a warm interest in the welfare of the local corps of , and was one of the first members to be enrolled on the formation of a company at melton.  The idea of a volunteer corps at Melton was originated, we believe, in the dining room of Mr Wing, one evening, early join the year 1859, and a memorial was addressed to the Lord Lieutenant of the County, the late Duke of Rutland with the result that the corps was successfully formed.  The Melton, or “C” Company was, as its distinctive letter implies, the third to be organised in the Country, that of Belvoir, “B” company, being, by a fluke, enrolled before it, and thus taking, in point of seniority, precedence over the Melton Corps.  The utility and importance of the volunteer movement were not then recognised by Government so fully as now, and many of the early experiences of those who joined at the time of which we are speaking, would be regarded by the volunteers of these days as decidedly novel.  At that time, the government did not provide rifles, and muskets were obliged to be purchased by members themselves.  The first drills of the Melton Corps were held on a piece of waste ground at the back of the premises of Messrs. Sharman and Ladbury, now the site of the implement factory, and the first drill sergeant was pensioner named Huddlestone, representatives of whose family still reside in the town.  The drills took place at six o’clock in the morning, and those who were unprovided  with a rifle were compelled to be content with a substitute  in the form of a broom-stick or something similar.  But what they lacked in the materials of war these early volunteers made up in enthusiasm, and the Corps rapidly grew in number and importance.' 


The Brewers

   The existence of the amalgamated skills of the Messrs. Adcock and Pacey business partnership is yet another significant passage of local history and the survival of their brewery venture remains well remembered today.  To bring the story of the Company and the destiny of the partners together, I can say that in the summer of 1873, after two decades of trading alone, William Adcock announced to the world that he was to forge a partnership with Mr James Pacey, a respected farmer of nearby Garthorpe, from which came the business known as Adcock, Pacey and Co. .  The former was already a wealthy man and an established agriculturist employing several workers.  He apparently had little or no prior interest or involvement in the brewing trade, but as a  grazier he had acquired over his lifetime the ownership or tenancy of several acres in the area.     In the ensuing years, several more farms were purchased by the partners and with little involvement with the Brewery, I can only surmise that Mr Pacey's priorities lay in the production of the raw materials required for the brewing - especially the harvesting of barley - at source.  Minor competition in the local busy brewery industry did come from George and Henry Langton at Thorpe End who had taken over a small brewery founded by George Adcock in 1865 and as Langton and Sons,  Brewers of the celebrated 'A.K Ale', they took over the business of Adcock and Pacey on the occasion of the former's death and the latter's retirement in 1890, but they too were to go out of business in 1910 when the bulk of their houses and breweries went to auction.  None of the companies involved remain extant.
   At the time of William Adcock's passing, James Pacey was to sell up his share of the business and purchase the substantial house and grounds known as The Limes at No.1, Sherrard Street where he was to retire with his family who were resident until the 1930s.  This was a time when many of the large houses around the town became very expensive to maintain and as the country in general went into a severe period of financial restraint and worried over the increasing possibility of another World War.  Several such dwellings became abandoned and deserted due to a reluctance to purchase and were left to the vagaries of the weather and the general passage of time, they faced the  certainty of inevitable future demolition.

The land on which The Limes once stood was sold off after demolition in about 1932 and the wonderful old house was soon to be replaced by a contemporary faux 'Art Deco' style branch of Woolworths national retail stores, in modern times to be transferred to its present occupants, the Yorkshire Trading Company.    Its once large and decorative gardens which could be spied through the railings of an iron gate by passers-by from the main street of the town, took up land at its rear to as far as Sage Cross Street to the east which was soon to sold and filled up with commercial buildings and the smaller houses which once lined King Street.

The Elms

  As the only child born to William and Elizabeth, Jessie Kate Adcock was destined to become heiress to a substantial fortune, although she is said to have taken only a small part in the running of the family business and on her father's death in 1890 it seems that she and Lionel with his medical practice, had little interest in the running of the brewery. They had two children, Philip and Katherine.
  Just a short distance to the east along Sherrard street and on the opposite side of the busy road, another large house once stood in magnificent glory as a reminder of Georgian and Victorian times.  Originally, known simply as 'The House', it stood for over two centuries and it is difficult today for residents and visitors to Melton Mowbray, to realise that such a wonderful three-storey stately house with its beautifully manicured gardens actually existed there.  For most people today it, or its memory, is known as The Elms and once stood in the very centre of Melton Mowbray at the point where today stands the semi-derelict, flat roofed and already decaying 1950s telephone exchange.  The once grand gardens of large lawns and flower beds, together with an ice house and magnificently outfitted stables, now comprise the modern streets and dwellings of the Elms and Oaks Roads which contain many of the modern homes of townsfolk. In its heyday the gardens spread, manicured and painstakingly tended, to be bound only by Mill street and Brook street to the south.  As a dwelling, The House was a very favourite hunting box in the winter months, as well as a residence to a series of top social people including Lord Markham and the Manners family of Belvoir.  Around 1900, The House was purchased by Jessie Powell, more than likely with the proceeds of her father's will, it becoming the home of the Powell family for the next three decades. It was in this grand old house that their only son, Philip Lionel William Powell was born, who was to later marry and produce a son of his own who would one day become an internationally renowned author.

The Elms, Melton Mowbray - circa 1925

Anthony Dymoke Powell - 1905-2000

Anthony Powell
  Here I refer to the birth at The Elms, on the 21st December 1905,  of Anthony Dymoke Powell, C.H. C.B.E, the only child of Philip Lionel Powell and Maud Mary Wells-Dymoke.  Maud was the daughter and heir of Edmund Lionel Wells-Dymoke, formerly of Grebby Hall, Lincolnshire and she would eventually move away from the town with her itinerant army family into a military world within which Anthony would travel to many countries.  Spending his early days with his mother in Melton, he was, at the age of 10, to be educated first at Eton and then at Balliol, Oxford, following which in rejecting his parent's hopes of a military career, he was to take up the pen as his tool of work and be destined to become a novelist of some repute.  He Married Lady Violet Packenham, sister of Lord Longford in 1934 and in 1925, following early moderate literary successes, he embarked upon the protracted production of his iconic 12 volume novel,  A Dance to the Music of Time, an analysis of which and the biography of its author, is recorded by the aforementioned Anthony Barber in his 'Anthony Powell, A Life'. ( published 2004 by Duckworth Overlook).

Another famous son of the Town!